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The Final Of Us Is Good TV, However A Robust Watch In A Actual Pandemic

Pedro Pascal sits in front of a damaged wall in a screenshot from HBO's The Last of Us.

Screenshot: HBO / Kotaku

I’m barely a minute into the premiere episode of HBO’s TV remedy for The Final of Us and I’m already uncomfortable. Nobody’s died but, and nobody’s talking in a cringe-worthy Texas accent, however as two specialists chat in regards to the threats to human society from airborne sicknesses, I understand that I’m not fairly positive if I’m within the temper for this sort of fiction. Sadly, for a lot of the remaining episode, that feeling by no means fairly went away and it nonetheless hasn’t. Whereas The Final of Us is a well-made present that I’d suggest to followers of the video games and in any other case, it ought to include a heavy emphasis that, identical to exhibits like Station Eleven or Craig Mazin’s much-lauded Chernobyl, the very actual pandemic of COVID-19 doesn’t completely combine properly with what’s on the display screen. And no quantity of Pedro Pascal can change that, a minimum of for a few of us.

The Final of Us, initially launched for PS3 in 2013, remastered for PS4 in 2014, nearly remade for PS5 final yr and now tailored to tv format on HBO, follows the fallout of a fictional world pandemic that transforms individuals into literal monsters. Society is derailed and numerous lives are misplaced within the course of. The plot additionally tells the story of competing factions of humanity within the wake of the pandemic, some with ties to old-world governments, others totally new, every on edge and able to shoot bullets at each other. In each primary entries to The Final of Us, in addition to the present, the strains between good guys and unhealthy guys blur steadily, however what’s completely clear is that the world now sucks and a mysterious, incurable illness is what set all of this in movement.

Learn Extra: The Final of Us Episode One Recap: Taking a Experience

In 2013 that premise might slot extra simply into the realm of fantasy, again when many people weren’t so labored with the worry of getting sick and numb to governments that may’ve most popular to disregard it whereas utilizing navy aggression to calm civil unrest over lots of society’s pre-existing situations.


I’ve performed The Final of Us an excellent handful of instances (and am presently replaying it, in addition to working a first-time playthrough of Half II), however by no means earlier than did I dread the plot’s opening moments like I did in the course of the TV present. One of the rapid adjustments that many will discover within the TV adaptation is that the pre-outbreak prologue is longer and takes place in a distinct time; within the present, it’s 2003 that the contagion hits, not 2013. However time adjustments apart, it’s nonetheless an expanded portrayal of a world that, in actuality, we’ve solely simply began to return to.

As the primary episode strikes on, constructing as much as the loss of life of the principle character’s daughter and the eventual 20-year flash ahead, I discovered myself in a state of hysteria, remembering all the worry and uncertainty of COVID (significantly within the early days of 2020), each the virus and the USA’ authorities criminally fraught response. I dreaded watching an amplified mirror-image rendition of our world slip into the chaos of a public well being disaster mismanaged. I acknowledge that not everybody will make a majority of these associations, however given the world-changing gravity of the pandemic, it’s onerous for me to not go there.

In actuality, I bear in mind seeing the truckloads of useless our bodies simply across the block from the place I stay. I bear in mind and nonetheless grapple with the worry of at-risk family members and mates, very similar to the very first sufferer within the TV present, probably getting sick, quickly to undergo and die. I bear in mind how acute that worry was once we knew so little about COVID and the way it unfold. I expertise anger on the navy’s heavyhanded response within the present, however it’s swiftly changed by the anger felt when the Trump administration’s Director of the Nationwide Financial Council Larry Kudlow lied to all of us, saying COVID was “contained,” when that very same administration continued to indicate they have been merely unfucking involved with the specifics of what they have been coping with. I in all probability don’t have to repeat the truth that our very president prompt ingesting or injecting bleach as a remedy for the illness, that we cease testing, and that it’s going to all simply “go away,” however yeah, that each one occurred. It wasn’t fiction.

The Last of Us in TV form feels closer to reality. In the video game the infection more easily drifts into background lore, a justification for why we’re moving our characters around all-too familiar monster obstacles that’ll send us to a checkpoint if we’re not careful. But whether it’s seeing real flesh and blood people on screen instead of, as showrunner Craig Mazin put it, “watching pixels die,” or refined adjustments to the narrative that fill in additional alternative for human expression as an alternative of instances spent crafting smoke bombs out of online game objects I gathered with the triangle button, all of it combines within the HBO present to make for an expertise I’m unable to withstand drawing painful parallels from. That is no fault of the present. I don’t significantly care for the way “practical” its portrayal is or shouldn’t be. The truth is, the feelings stirred by the present may be a testomony to how evocative it’s.

There’s rather a lot to understand about The Final of Us’ HBO adaptation, however I counsel people verify in with themselves, earlier than watching or recommending, and ask whether or not or not this specific story is one thing they need to spend time with at this specific second in historical past.



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